About this Artwork

“Hands of God explores the tension between imposed systems and disruptive forces that refuse to conform. The sculpture is built from layered structures that intentionally break traditional radial symmetry, interrupting the expected order of a mechanical grid. This disruption functions as a metaphor for individuals and communities that challenge rigid structures of power.

When experienced through augmented reality, the sculpture appears embedded within the environment itself, transforming familiar settings into a site of reflection on the invisible systems that shape our environments, economic, technological, and social structures that often operate beyond our awareness. Because AR allows the viewer to move freely around the piece, the sculpture reveals an additional layer of meaning: when viewed from a precise angle, the fragmented geometry suddenly aligns, and the illusion resolves into a unified form.

The piece uses prime-number geometry as a metaphor for disruption. Prime numbers cannot be evenly divided, and in the same way individuals and communities often resist the systems that attempt to organize or control them. As the mechanical forms collapse inward and encounter scattered tetrahedral fragments, the structure destabilizes and ultimately resolves into a new equilibrium.”